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“In my artistic practice, I aim to convey a narrative through my hands—something within me that wants to emerge. I translate my experiences of being a woman, a mother and a human being existing in this fragmented contemporary world. Through a consciously intuitive process, I let my detailed, naturalistic and figurative drawings meet the randomness of the collage technique. Flat and marbled fields of color, structures made with ink and gouache meet the fine lines of thin pencil and ink. The drawing transitions into painting, boundaries blur, both in motif and material.
The drawing becomes three dimensional —its many layers of paper making it firm and crinkly, as if it could stand on its own in the middle of a room.
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In the drawing/collage I go hunting, searching for something that I can't say what it is until a find it. I have always wanted to go deeper,
far below the surface, further in. I want to peel the onion to the core.
Touch it gently—the see-through skin, the milky, wobbly, soft membrane. Maybe something is living inside, pulsating, moving slowly.
Like a vague movement, something in the corner of your eye.
Is it pain? Is it loneliness? Is it shame? Or contempt?
Is it all the feelings ever felt by all humans over all time?
Maybe it’s just a black hole?
A vacuum—a space where all the thoughts finally quiet down and something unknown takes over.
A subtle shift in the air, a small turn in direction.
Something different develops
—a transformation of some kind.
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The picture is shifting, going in different directions, growing, shrinking, developing. When I think I'm ready, I'm not. It's a constant shift, only temporary certainty, nothing firm—movements and stillness. Alongside the large-scale drawings, I'm exploring other materials such as textile and clay. The ceramic figures are translated from the drawings, emerging in a new shape. Cotton threads transforms into branches, and branches become veins and nervous systems. Together with the drawings, they form a pact, a collaboration, telling the story in different layers.“
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